{"id":4135,"date":"2015-07-01T10:00:29","date_gmt":"2015-07-01T07:00:29","guid":{"rendered":"https:\/\/www.hebo.fi\/fi\/?page_id=4135"},"modified":"2025-03-24T14:40:09","modified_gmt":"2025-03-24T12:40:09","slug":"levytykset","status":"publish","type":"page","link":"https:\/\/www.hebo.fi\/fi\/musiikki\/levytykset\/","title":{"rendered":"Levytykset"},"content":{"rendered":"<p><a href=\"https:\/\/www.hebo.fi\/wp-content\/uploads\/2025\/03\/Colin-de-Blamont.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6221\" src=\"https:\/\/www.hebo.fi\/wp-content\/uploads\/2025\/03\/Colin-de-Blamont.png\" alt=\"\" width=\"162\" height=\"145\" \/><\/a><\/p>\n<p><a href=\"https:\/\/tickets.chateauversailles-spectacles.fr\/fr\/product\/1865\/cvs139_2cd_divertissements_pour_louis_xv\">CH\u00c2TEAU DE VERSAILLES SPECTACLES<\/a><\/p>\n<p><strong>Colin de Blamont<\/strong><\/p>\n<p><a href=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2023\/08\/ODE-1424-2-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6221\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2023\/08\/ODE-1424-2-scaled.jpg\" alt=\"\" width=\"162\" height=\"145\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.ondine.net\/index.php?lid=en&amp;cid=2.2&amp;oid=7086\">ONDINE<\/a><\/p>\n<p><strong>Crusell<\/strong><\/p>\n<p>Hier ist es Crusell, der sich als am Puls der Zeit komponierend erweist. Und das Helsinki Baroque Orchestra macht dies sehr eindrucksvoll nachh\u00f6rbar.<br \/>\n<em>Guido Krawinkel, Klassik Heute, 5.10.2023<\/em><\/p>\n<p><a href=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6731\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-454x640.png\" alt=\"\" width=\"139\" height=\"196\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-454x640.png 454w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-726x1024.png 726w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-106x150.png 106w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-768x1084.png 768w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva-32x45.png 32w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2022\/05\/Third-Practice-kansikuva.png 934w\" sizes=\"auto, (max-width: 139px) 100vw, 139px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/belairclassiques.com\/catalogue\/tero-saarinen-company-third-practice-rooted-with-wings-dvd-blu-ray\">BelAir Classiques<\/a><\/p>\n<p><strong>Monteverdi<\/strong><\/p>\n<p>DVD &amp; Blu-ray<\/p>\n<p>An extraordinary work (&#8230;) Once again Tero Saarinen and his dancers and associates have given me an experience like no other. I love dance that expands the boundaries of my thinking.<br \/>\n<em>Michelle Potter, 25.3.2021<\/em><\/p>\n<p><a href=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2020\/08\/BachVol4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6221\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2020\/08\/BachVol4.jpg\" alt=\"\" width=\"162\" height=\"145\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2020\/08\/BachVol4.jpg 570w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2020\/08\/BachVol4-150x134.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2020\/08\/BachVol4-45x40.jpg 45w\" sizes=\"auto, (max-width: 162px) 100vw, 162px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.aeolus-music.com\/ae_en\/All-Discs\/AE10107-Bach-Johann-Sebastian-Concerti-a-Cembali-concertati-Vol.4\">AEOLUS<\/a><\/p>\n<p><strong>Bach IV<\/strong><\/p>\n<p>Un point final (&#8230;) \u00e0 une aventure qui aura marqu\u00e9 la discographie r\u00e9cente des concertos.<br \/>\n<em>Jean-Christophe Pucek, Diapason, 12\/2020<\/em> (DIAPASON D&#8217;OR)<\/p>\n<p><a href=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5872\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-640x640.jpg\" alt=\"\" width=\"156\" height=\"156\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-640x640.jpg 640w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-150x150.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-768x768.jpg 768w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-1024x1024.jpg 1024w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2019\/07\/ODE1331_cover-final-45x45.jpg 45w\" sizes=\"auto, (max-width: 156px) 100vw, 156px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.ondine.net\/index.php?lid=en&amp;cid=2.2&amp;oid=6299\">ONDINE<\/a><\/p>\n<p><strong>Beethoven<\/strong><\/p>\n<p>This is not a piece recorded often, certainly not in full. H\u00e4kkinen\u2019s capturing of the drama and orchestral colors matches Herbert von Karajan\u2019s 1961 version with the Berlin Philharmonic, although obviously with a rather more delicate period-appropriate palette.<br \/>\n<em>Leighton Jones, The Classic Review, 22.8.2019<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5584\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001-640x414.jpg\" alt=\"1COVER-page-001\" width=\"240\" height=\"155\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001-640x414.jpg 640w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001-150x97.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001-1024x663.jpg 1024w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001-45x29.jpg 45w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2018\/05\/1COVER-page-001.jpg 1785w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/p>\n<p><a href=\"https:\/\/www.ondine.net\/?lid=en&amp;cid=2.2&amp;oid=6079\">ONDINE<\/a><\/p>\n<p><strong>Schumann &#8211; Bach<\/strong><\/p>\n<p>From soprano Carolyn Sampson\u2019s floating opening solo to the rousing final chorus, \u201cUnd l\u00f6sch\u2019 der Zwietracht Glimmen aus,\u201d choir, soloists, and orchestra do the piece proud.<br \/>\n<em>Jonathan Blumhofer, The Arts Fuse, 15.7.2018<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-5475\" src=\"https:\/\/www.hebo.fi\/wp-content\/uploads\/2015\/07\/Cover.jpg\" alt=\"Cover\" width=\"184\" height=\"165\" \/><\/p>\n<p><a href=\"https:\/\/www.aeolus-music.com\/Alle-Tontraeger\/AE10087-Bach-Johann-Sebastian-Concerti-a-Cembali-concertati-Vol.3\">AEOLUS<\/a><\/p>\n<p><strong>Bach III<\/strong><\/p>\n<p>Comme cela respire large et sonne profond ! Timbre, places d&#8217;archets, forme de notes, tout un vocabulaire du jeu baroque est exploit\u00e9 avec un souci d&#8217;expressivit\u00e9 permanent.<br \/>\n<em>Philippe Ramin, Diapason, 1\/2018<\/em> (DIAPASON D&#8217;OR)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-4139\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/KrausKansi.gif\" alt=\"KrausKansi\" width=\"170\" height=\"170\" \/><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.572865\">NAXOS<\/a><\/p>\n<p><strong>Kraus<\/strong><\/p>\n<p>If the overture to Gustav III&#8217;s birthday ode does not energise you, or you remain unmoved by the dramatic opening to the cantata for the same monarch&#8217;s funeral, then there is no hope. Sorry! I hope this will not be the last Kraus we hear from the Helsinki Baroque Orchestra.<br \/>\n<em>Brian Clark, Early Music Review, 10\/2014<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4142\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach2Kansi.jpg\" alt=\"Bach2Kansi\" width=\"179\" height=\"160\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach2Kansi.jpg 200w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach2Kansi-150x134.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach2Kansi-45x40.jpg 45w\" sizes=\"auto, (max-width: 179px) 100vw, 179px\" \/><\/p>\n<p><a href=\"http:\/\/www.aeolus-music.com\/Alle-Tontraeger\/AE10067-Bach-Johann-Sebastian-Concerti-a-Cembalo-concertato-Vol.2\">AEOLUS<\/a><\/p>\n<p><strong>Bach II<\/strong><\/p>\n<p>One of the true delights is the<em> beautiful<\/em> phrasing of the upper strings &#8211; Bach&#8217;s part-writing rarely gets this kind of exposure.<br \/>\n<em>Brian Clark, Early Music Review, 10\/2013<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4153\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach1Kansi1.jpg\" alt=\"Bach1Kansi\" width=\"180\" height=\"161\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach1Kansi1.jpg 594w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach1Kansi1-150x134.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Bach1Kansi1-45x40.jpg 45w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/p>\n<p><a href=\"http:\/\/www.aeolus-music.com\/Alle-Tontraeger\/AE10057-Bach-Johann-Sebastian-Concerti-a-Cembalo-concertato-Vol.1\">AEOLUS<\/a><\/p>\n<p><strong>Bach I<\/strong><\/p>\n<p>These performances are enjoyable, even thrilling. In the rip-roaring Italian Concerto that rounds off the disc (&#8230;) the harpsichord achieves almost organ-like fullness. Wow!<br \/>\n<em>Lindsay Kemp, Gramophone, 3\/2013<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4145\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/DussekKansi.gif\" alt=\"DussekKansi\" width=\"179\" height=\"179\" \/><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.572683\">NAXOS<\/a><\/p>\n<p><strong>Dussek<\/strong><\/p>\n<p>H\u00e4kkinen (&#8230;) inspires his musicians into a softly atmospheric evocation of pastoral spaciousness interspersed with shadows of gentle agitation. Excellent.<br \/>\n<em>Nalen Anthoni, Gramophone Awards, 2012<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4151\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/AgrellKansi1.jpg\" alt=\"AgrellKansi\" width=\"178\" height=\"161\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/AgrellKansi1.jpg 400w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/AgrellKansi1-150x135.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/AgrellKansi1-45x41.jpg 45w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><\/p>\n<p><a href=\"http:\/\/www.aeolus-music.com\/Alle-Tontraeger\/AE10047-Agrell-Johan-Joachim-Orchestral-works\">AEOLUS<\/a><\/p>\n<p><strong>Agrell<\/strong><\/p>\n<p>The performances are absolutely first-rate, and they are backed by some serious scholarship. The playing is by turns vigorous and tender, the phrases are lovingly shaped and the rhythm is subtly flexible. This is definitely my record of the month: go out and buy it at once!<br \/>\n<em>Richard Maunder, Early Music Review, 10\/2010<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4147\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Richter2Kansi.gif\" alt=\"Richter2Kansi\" width=\"171\" height=\"171\" \/><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.557818\">NAXOS<\/a><\/p>\n<p><strong>Richter II<\/strong><\/p>\n<p>Aapo H\u00e4kkinen leads sparkling performances from the Helsinki Baroque Orchestra. Tempos are sensibly chosen, and balance good between the sectional divisions. There&#8217;s a genuine sense of theater about some of this.<br \/>\n<em>Barry Brenesal, Fanfare, 11\/2009<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4146\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/Richter1Kansi.gif\" alt=\"Richter1Kansi\" width=\"171\" height=\"170\" \/><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.557818\">NAXOS<\/a><\/p>\n<p><strong>Richter I<\/strong><\/p>\n<p>Under Aapo H\u00e4kkinen, the Helsinki Baroque Orchestra demonstrates that it is the equal of the finest European period-instrument bands.<br \/>\n<em>Stephen Pettitt, The Sunday Times, 5.8.2007<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-4156\" src=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/MonteverdiKansi.jpg\" alt=\"MonteverdiKansi\" width=\"179\" height=\"179\" srcset=\"https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/MonteverdiKansi.jpg 209w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/MonteverdiKansi-150x150.jpg 150w, https:\/\/www.hebo.fi\/fi\/wp-content\/uploads\/sites\/2\/2015\/07\/MonteverdiKansi-45x45.jpg 45w\" sizes=\"auto, (max-width: 179px) 100vw, 179px\" \/><\/p>\n<p><a href=\"http:\/\/www.alba.fi\/kauppa\/tuotteet\/4639\">ALBA RECORDS<\/a><\/p>\n<p><strong>Monteverdi<\/strong><\/p>\n<p>The orchestra (&#8230;) is visionary, impassioned and grieving in turns. This revelatory album will please Monteverdi fans as well as the general music lover.<br \/>\n<em>Roger Tellart, Goldberg, 2\/2005<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>CH\u00c2TEAU DE VERSAILLES SPECTACLES Colin de Blamont ONDINE Crusell Hier ist es Crusell, der sich als am Puls der Zeit komponierend erweist. Und das Helsinki Baroque Orchestra macht dies sehr eindrucksvoll nachh\u00f6rbar. Guido Krawinkel, Klassik Heute, 5.10.2023 BelAir Classiques Monteverdi DVD &amp; Blu-ray An extraordinary work (&#8230;) Once again Tero Saarinen and his dancers and [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":4079,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4135","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/pages\/4135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/comments?post=4135"}],"version-history":[{"count":39,"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/pages\/4135\/revisions"}],"predecessor-version":[{"id":7552,"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/pages\/4135\/revisions\/7552"}],"up":[{"embeddable":true,"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/pages\/4079"}],"wp:attachment":[{"href":"https:\/\/www.hebo.fi\/fi\/wp-json\/wp\/v2\/media?parent=4135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}